… Or The Rot Has Really Set In

They kick off, I blast the first priest striker straight in the chest, he is knocked backwards, gets up off his feet and passes the ball to the next player, who also succumbs to my gun. I turn back to the first player and shoot him twice. He will never need to bother me again. 

Welcome back to the Daniel’s Nemesis Podcast reading Chapter 28 - William and the Pilot, and Chapter 29 - Time for Fun, Ginger. 

What if aliens did invade the Earth? What could we do? What if it were a time when we didn’t have the military firepower we do today? 

XBook sets out to answer those questions of an alien invasion set right after the Great War, if by ‘answer’ you mean “deploy heavy surreal imagery” and by ‘questions’ you mean “make shit up until you get to something like an ending”. Or a word count. 

XBook, the byword for - a vague premise of a story. 

If this were a physical novel, the part of the book in your right hand would be pretty thin now. On a Kindle, the percentage would be high, the time remaining low. Reading on a screen? The little scrolling tab would be towards the bottom. And if you were listening to an audiobook, you’d probably be increasing the reading speed just to finally finish this travesty of a book. 

Yes, XBook, ‘the novel what I wrote when I was a young’un’ is coming to an end. Three chapters remain, of which two shall be read today. 

Each episode I read out a chapter or two and then analyse the contents after. 

However, when the rot has set in this deeply, it’s more damage control than any kind of insight. 

What’s happened so far? 

Fleeing their planet due to a dying sun, the alien race known as the Trascons have arrived at Earth. 

They need Earth to be their new home, and have instigated an invasion to ensure that. William, the Leader, despite his commands, is not actually sure this is the best way forward, but he feels very alone with his private thoughts. 

Managing to obtain one of the alien fighter craft after it crash-landed, Ginger, without a thought or a plan has gone to the Trascon mothership to see what he can do alone. Picking up a traitorous Trascon ally, together, they plan to kill the Trascon leader, William. 

Just remember:

This is fiction, 

always fiction. 

Logic is 

as Logic Does.

Chapter 28 - William and the pilot

I’m siting here contemplating movements, what next to do, wondering where it is. I’m lost in a world of thoughts, though there is nothing particularly on my mind. In fact, I keep imagining just how strongly I’m going to mess up instead of actually thinking about how I’m going to mess up and what I could do to avoid that. For instance, one of these fantasies involves destroying the Earth so much that there are no natural resources left for us to plunder. Half the worlds on fire, the other half is barren and not worth contemplating. With all this, everyone turns on me, I run, but there is nowhere really to run to. I’m outnumbered in all the most extreme senses of the word. Every exit is blocked, because there is no real exit from a spaceship. Even if I find an empty corridor, the next will be occupied and the previous one will be full of people in pursuit, or if I manage to find an empty room… how long could it last? I would either be trapped there until I starve, or the room will eventually be opened and I would be caught, or more realistically, the CCTV cameras that we have everywhere will track down my every movement. There could be no escape. So, I would have one of two alternatives to follow. 

A) commit suicide, as that’s the only place where nobody could ever follow me, and I watch myself, completely lacking any control over these images, but willing them on. I watch myself pick up a knife, pushing it, no, forcing it into my neck and ripping it out, me collapsing onto the floor, choking, spluttering blood everywhere, no longer able to bleed, wondering what will come first. Loss of consciousness? Choking to death? Maybe perhaps bleeding to death? Maybe I could find a nice tall place to jump off, falling gracefully, and then landing, in this case, headfirst, head smashing open, revealing a puff of blood, which quickly lands. Or my body landing on a railing, whipping my legs harder down, snapping the back of my already dead body. 

B) Getting caught, being frog-marched in front of thousands of people. For some reason, thousands of people have turned up to see me die, being pelted at, spat at, shouted at, tied up, people with clubs hitting me, my body refusing to turn unconscious. Just taking in the physicalness of it all. Blows, many, to the head until, finally, I slump forward, a nothing person in all its terms, on the floor. 

I look up as a group of guards enter the room. Though they seem to be wearing pilot’s uniforms. The leader of this group walks up to me, introduces himself as a Captain Fretyng. He says to me “We have returned,” as if I’m going to know what he’s talking about. He makes it sound as if he is the most important being ever. After a few non-starts, he refers to a mission. I lack inspiration as far as guessing what mission he is talking about, but  - “And how was the mission, may I ask.”

Fretyng smiles. “Yes, you may. And I will tell if only because it’s my duty to report everything back to you, Sire.”

I smile as if (yeah, right) I have a clue. And then - “Well, stop babbling and get on with it.”

“Yes, Sire. Straight away, Sire. Where do you want me to begin, Sire?

I almost don’t know what to say other than - “From the beginning, where most things normally start.”

“Yes of course. Well, Sire, I got into my Box and...” 

This is something I detest about pilots, which they seem to be. But surely, they are all orbiting Earth? Most of the time they talk complete and utter gibberish, the rest of the time, they talk about how amazing they are. A thought has suddenly struck, but I don’t want to face it yet, so - “Box?”

“Yes, Sire. It’s what we affectionately call our Smoovs, Sire.”

I groan inwardly, which leads to - “Yes, silly me.”

“Yes, Sire, silly you.”

Fretyng looks proud of how cheeky he has just been. It would be something to talk about at the mess, no doubt, “you’ll never guess what, chums, I darn well told the old bean upstairs just how jolly darn silly he was, ha, ha, ha! Rather!” I, on the other hand, have different feelings, feelings that mix dread of the upcoming news, humiliation, stress, tiredness and fuck knows what else, which comes out as - “How DARE you call me silly!”

I decide to kill the pilot sometime, it’s becoming a bit of a theme with me, right now. I’m not sure how to handle people other than to give them an extreme for the boundary they should not cross. And, unfortunately, let them step over it.

“Sorry, Sire, I was just agreeing with what you said. The first thing that we are taught in school, Sire, ‘Agree with the Supreme Ruler about everything and that means absolutely everything otherwise the punishment is death’.”

I have no idea what the fuck his excuse is meant to mean. Is that fast-talking? Is that bullshit-talking? I have no idea. I used to be so good at forming my thoughts. Now they just come out and they mean nothing. Babbling - “Yes, well there are exceptions. And besides which, you’re babbling again. Now get on with the report, please.

“Yes, Sire. Sorry, Sire.”

I think I’m ready to face the fire now and so I need to warn the - “Pilot!”

“Er, Fretyng, Sire.”

Life is so difficult sometimes and I want to - “JUST GET ON WITH DARN REPORT!! For crying out loud.”

“Sorry, Sire.”

Please! Please - “Say that again and you won’t ever be able to be say that again.”

“Why’s that Sire?”

I look down to the floor. For an answer? Because the only answer I can come up with is - “Because you’ll be DEAD. Like Yertjuk,” I add, as an aside.

Not quite sure what I mean, this does seem to scare Fretyng into action.

“Ah, Erm. Well, like I was saying. I got into my box, checked my instruments, realised I left my lunch in my locker, got out...” 

Sometimes I wonder if there really is such a thing as fate or destiny or even the idea of your life being written in the stars. I wonder if life is just written. Written on a piece of paper, that we are all actors and are reading these lines, that someone has picked me to be the butt of the eternal joke. The constant wearing down, the difficulties in communication, the slackness, the incompetence. This is not supposed to happen. This is not an efficiently running ship. This is worse than a bad spoof of a bad sci-fi comedy about a group of incompetent space-travellers. If life is written then the author is bad. He’s a bad writer, and he seems to have picked me to be the authority figure, the straight one, and therefore the butt of every bad joke ever. I wonder. I would just like to see this script, just so that I can have an advance warning. Warning of the next bad person to walk up to me and say something bad. It’s all so tiresome. Wearing, grinding down. I want release. I want to go back, to start afresh, but - “Not that far back, please. Just start with when you entered Earth’s atmosphere. And please, try not to go into too much detail, please.” I say this, because I have a feeling I know what’s about to have happened. 

“Righty ho, Sire. Well, we flattened everything and everyone in sight Sir.”

Flattened. The worst has happened. I dismiss the pilot - “Thank you. You may leave, now.”

“Thank you, Sire.”

Fretyng salutes and leaves. I’ll get a better report than that from someone more trustworthy, more… less, rather, less wearing. Flattened. Well, that’s it then. The worst has happened. Earth’s been hit, been attacked, no doubt in the grand scheme of action that was the original plan, the one I postponed, but somebody disobeyed me. I have a traitor somewhere, here on the bridge. Someone either chose to ignore my orders to get them to halt, or someone went behind my back and told them they could advance. I look around me, suddenly I feel the room grow, myself shrink and everyone is everyone, but I am only me, a small, helpless, isolated me. I no longer choose to trust anyone. But to whom can I turn for help, who can I turn to, to confide in? Are they all traitorous, is it just one person? But one thing I do know is this, there is no chance, not one, of a friendly meeting with any of Earth’s residents. Never can we live side by side in harmony. Never will we be trusted. We will be hated. Our technologies ignored and probably bettered. We will become the smaller race. We will be the ones destroyed, when they get a chance to. There was once a hope that we would live peacefully side by side. Everybody wanted that to be followed. Everybody always, always said that was what they wanted. At any stage through our journey here, it was always ‘we want harmony’, but somewhere it went wrong. I will always be to blame. Is that fair? I don’t know. In reference to the pilots, I say to anyone in earshot - “How come we only seem to have incompetents on this craft?”

“I don’t know, O Excellently Brilliant One That Is Superb At Whatever His Marvellousness Comes Across In His Amazing Lifetime.”

Give me strength.



Chapter 29 - Time for fun, Ginger

It is massive, I can see at least five football pitches in here and there is room for so much more, many more. I look around me, along the stands are just hundreds, upon thousands of guns, and they all seem to be pointed inwards, towards the centre of the pitches. Obviously they are not big fans of football, or that is the way the game is going, perhaps? The guns, the ones that I can see, at least, are all sorts of sizes. Some range from dinky little things to huge, huge rifle type guns, but with extensions. It reminds me that I should maybe get warming up for today’s Sunday League match against Amersham Priory F.C. They can be tough little shits, for a bunch of monks.

Yet I wonder, just how much should I prepare for this match? They are top of the league. They are the best and they outnumber us as we have a couple of players off sick, due to flu. Do we really stand a chance of winning, anyway? Is it worth preparing myself in any way? It would at least save on any extra injuries, I guess. 

I can see in the background that there are a couple of vehicles, but they look big and chunky, metallic and like they have a lot of guns on them. Very big guns. The only guns I have ever seen that size before are anti-aircraft cannons. They scare me, a lot. But only because I am here first and I’m vaguely aware of the amount of destruction I could cause. 

I look at Yertjuk. I look at him and see someone who said that their intentions were originally peaceful. I know not what to think. I walk around and I try to touch and pick things up. I seem not to be allowed to pick up half of these weapons. But I need them for when we play the friars! I shout at Yertjuk, but he does not understand. I prod here, I touch there, but I can’t be allowed to. I have never seen anything like these before. I guess Amersham Priory F.C. have really been practising. I hope our team has the will power to last. I have to turn to Yertjuk to consult him. “They were going to attack us with all these?” I say to him talking about the Priests.

“Yes, that’s right.”

“We don’t stand a jolly chance against them.”

“That was the idea.”

It’s a fair enough point.

“But all this fire power....”

“Er, laser power. We progressed beyond your primitive methods of warfare many a year ago.”

“What’s a laser?” I ask, presuming it’s some kind of, I don’t know, religious light, or spray of Holy water, or something. If Holy water can kill vampires, I don’t know, I guess God could have created some kind of Human version. Or maybe a laser is some kind of fitness thing, I don’t know.

“Something that we invented many years ago.”

Yertjuk looks superiorally intelligent. I begin to realise something. Since this Sunday League match has come up, I’ve become a bit more, I don’t know, stabilised. 

“Oh. Right. But all this power, you could rule the universe.”

I don’t seem to be all over the place.

“Oh, I wouldn’t say the universe. After all, what would be the point? Apart from you and us, all that is around at the moment is just intergalactic scum, floating around on their respective planets. I guess. Not all planets are big enough for gravity, you see. Or too big. We’re about the only things that make this universe worth bothering with.”

I’m rooted, but I look around me. 

“Wow! That’s amazingly spiffing.”

This is not normal. I’m in a nowhere world, right now. I… spot something out of the corner of my eye. I have to run over to it. “Hey, what’s this?” I pick up a small metal ball type thing, it really is no bigger than a golf ball, but it’s… it’s got a charm, the way it seems isolated from everything else. It is in a box. Nothing else is. It’s in its own little place. 

I wonder how we can be in here without getting caught. 

Everything else is just lumped together. It has a sign on it and, for some reason, I can read it, though I have no idea. I have a feeling it’s something to do with this place. I had a life before this, I have a life, but it’s not there. I… my mind is playing tricks on me. I’m dreaming, or something. The sign says something along the lines of ‘Extremely Dangerous!!! Do NOT Touch!!!!!’. Every time I try to read it, it seems to say roughly the same thing, but slightly differently. 

“DON’T TOUCH THAT!”

I pause in mid grab. This stability is caused by this dream I am having. In the real world, everything is different. Everything seems less real. This is hyper-real. And I know that the real world is the real world, because the real world is the real world. This is just dream world. But I have been here for a long time. I open my eyes. The time is still half-past two. I close them.

“Why?”

“That is a highly unstable weapon, created from two radioactive materials that once fused together create a highly unpredictable reaction that would basically destroy this section of the ship. Of course, combined with the other weapons in this room, the force would be powerful enough to knock even Pluto off its orbit. Earth and ourselves, especially, wouldn’t even stand the barest of chances.”

“Oh, so it’s nothing important then,” I say, but it does not answer my question. Why am I spending so much time here? I should be out getting ready for this match. 

“This is not a laughing matter. In a few decades, your world will learn the power of an atomic bomb. Probably.”

My life has revolved a lot around this game, lately. I’ve spent a lot of time talking tactics in the pub. The Pub. That is real. The local. So, considering the amount of time I’ve been worrying about this game… 

“What’s a Pluto, anyway?” … I’m just having an anxiety dream. This is my way of resolving my concerns about losing.

“Oh… yeah. Your primitive race only knows it at the moment as Planet X.”

By blasting aliens.

“Funny, I thought it was just a good name for a lovably cheeky dog.”

I catch sight of something else, but I decide to be wary. Obviously I’m being told not to rush into things, to take things with a little caution, a little consideration.

“Well, what’s this then? I can touch it, can’t I?”

“That, oh yes. That is only primitive.”

I pick it up. Nice. Weighty. Good. Bold. Strong. 

“What is it?”

But what is real?

“A semi-automatic shotgun. We stole the technology from your race and then improved upon the design. We wanted a weapon that would look similar to one of yours, but would be much more efficient if ever we were to disguise ourselves as humans. We needed a human weapon because if we were to kill with our own, you humans would start to get a bit suspicious.”

So, I should have faith in our own tactics, then. To have faith in my own team. Because this alien seems to have belief in our weapons. 

“So, what’s the plan then?”

See, reason. All of a sudden, what was a nightmare does not seem so bad.

Yertjuk pauses for a second, to think.

“I say that we grab a few weapons, track down William, surprise him and blast the hell out of him.”

But what is real?

“Great. Sounds spiffing to me. What should we get, then?”

“Well, that’s the beauty of this place. There’s so much choice.”

I grab another gun that looks similar in shape to a rifle. But is this real? No. “Well, in that case, can I have this? Please, please, please, please, plea....”

“I can’t see why not. And I shall have one of these.”

Yertjuk picks up a pistol shaped gun.

“What gun’s that then?”

“Oh, it’s just a standard issue weapon. Very reliable, however. In fact, this is my very own gun. See, it’s got my name scratched into it.” But it’s not real.

I read it. “‘Yertjuk’. Hey, you write in English.” This should actually come as no surprise, but I beg to find out what the explanation is. 

“No, we write in Trasconian.”

“Well, how come I can read it then?”

“I doubt very much that you can.”

“Come to think of it, how come you speak English?”

“Well, funnily enough, every single race on every single planet just happens to speak what you call English. Except, of course, people like the French on your planet. You could call it a Universal constant, I suppose. Even we spoke “English”. We just developed our own language to make ourselves far superior to every other race, which is why we don’t always speak in English.”

There is a long pause before I pick up the guts to speak to him again. “Really?”

“You really are quite dumb, aren’t you. We talk English in order to be able to integrate ourselves into Earth society. I told you that earlier.”

“Hey! I’m not the one who’s stupid enough to get a death sentence placed on himself.”

“No? Oh. Well, anyway, we haven’t got that much time. Come on, let’s go!”

I’ve picked up about seven guns and things are starting to get exciting now. It’s time to find the priests. A voice over the tannoy system at the stadium says - “Erm, I wouldn’t go that way if I was you.”

This stops me from running down the tunnel, briefly. “What do you bally mean?”

“Well that way leads to the main doors. They are heavily guarded. If you go through those doors, you wouldn’t even be alive to be surprised,” says the voice over the tannoy, introducing me. I smile. This is what I’ve been waiting for.

I run out onto the pitch. For want of a better, more real word, everything becomes…pixellated. Does that word exist? Who knows, but it does. Dotted. I can only see one thing now. What is directly in front of me and one of my guns - just the nozzle. The game starts the second I am on the pitch. I notice that my movements are so smooth, but they are restricted. I’ve woken up, though, that’s all I care about. 

They kick off, I blast the first priest striker straight in the chest, he is knocked backwards, gets up off his feet and passes the ball to the next player, who also succumbs to my gun. I turn back to the first player and shoot him twice. He will never need to bother me again. 

I run up to the player with the ball and try to tackle him. I end up being fouled. I run around, looking for a medi-pack, my energy having been seriously knocked down. The first orange segment I see on the pitch and I run over to it, to restore my energy. I turn around, blast the fuck out of the player with the ball, take control and start pegging it towards the goal. This is fucking hard, though. One midfielder, two midfielders both try to tackle me, I have to press the run button to get me to accelerate, rather than the standard lope that I can only achieve otherwise. There is a defender in my way. I shoot him, as I do the one next to him. Neither of them are seriously damaged, but it allows me to get past, so that only the goalie is in the way. 

I shoot, the priest holds his hands together in prayer and a wall appears, deflecting the ball. I have to blast the wall away so that I can get a clear shot next time. However, a defender attacks me, takes off two energy bars, leaving me with only three left. I shoot him, he dies. But that gun is out of ammo, so I go for the next one. A chain gun, with less effective power, but spurts out so many bullets in a go, it don’t fucking matter. 

I run around, shooting aimlessly. Two midfielders die, but there is one who is currently heading towards my goal. I press the run button and I am in heavy pursuit. I try to keep him in my sights, but unfortunately, due to me running, I cannot shoot straight, though I just keep the trigger held down anyway. I run over an orange that replenishes my energy. Hallelujah, and just before the midfielder is about to strike, enough bullets have hit his body and he falls down dead. The rest of the bullets are dispensed on a nearby midfielder, but he doesn’t die. 

I get out my rocket launcher, this is always fun. I shoot the midfielder. He explodes in a gory mess, but I was too close to impact. I have, again, only three energy bars. Shit. There are only three defenders and a goalie to worry about. I dispense two rockets over to the goalie, who is seriously injured, but not quite dead, and the last flies towards a defender, the heat-seeking missile knowing exactly where to take it. More gore. 

I turn to my next two weapons. Both of them use the same cells, but I am out of those completely. I’m left with my shotgun. I start running with the ball, towards the defenders. I’m taking pot shots, being careful not to miss. It takes five shots for one defender to die. I turn to the next. He is seriously close to me. This is scary. I shoot him, three times, quite close. He tackles me, on the floor, I shoot him two more times. He is dead. I have two energy bars left. 

I grab the ball again, and just the goalie is in front of me. I have to be careful. He has his hands together in prayer. This means that when I shoot, I will be lifted backwards and pretty much be killed as I have very little energy left. I go up to him, and with my fist, which is the only weapon I have left, other than the shotgun, I punch him. This stops the chant. I punch and punch and punch, He punches me, knocks me back, takes off an energy bar. One left. I get up, punch, punch, punch, punch, but the two rockets I hit him with earlier have left him weakened. He dies. I shoot, I score. The game is over. I have won. Player 1 has 454,678 points. Hurrah. I start to fantasise again. The players that I’ve killed turn into aliens and that dream figure Yertjuk comes over to me. Maybe I exhausted myself so much I fell asleep?

The Psychologist’s Chair

If we are not in Act 3, where are we? A sadly relevant question for today’s episode. 

You’ve just heard the two penultimate chapters. (Can you have two penultimate somethings?) 

Both Ginger and William’s stories should be wrapping up as we go into the final chapter in the next episode. 

By now, they should have gathered or learned everything that they need to be ready for the final conflict. 

This may not be possible as the rot has really made itself apparent now. You should be asking: “What have they learned? Because I haven’t noticed anything.” For there to be any hope, we need to establish where either character can come out of this. To know how the phoenix can rise from the flames, we need to know who the phoenix is. After all, we know what the flames are: Betrayal, being lost and confused on an alien spaceship… and just bad writing. 

So, where are they? Rather, where should they be? 

Blake-y Boy defines this moment as the Eureka moment. I don’t think he means jumping out of a bathtub naked. That’s a bit hard to contrive for Ginger on a spaceship - then again, have I not read this story? The Trubster talks about a series of revelations that gets the characters ready for the final battle. 

So, let’s look at Ginger first. 

Ginger’s had his Dark Night of the Soul. He’s been lost and alone on an alien ship, convinced of his impending death. But that changed when he picked up an ally, Yertjuk - Trascon traitor. As mentioned, there is just one chapter left. By now, Ginger should know what his renewed motivations are, he should have learnt the things that will take him to the final confrontation. He should know what he needs to do. But we notice that it is Yertjuk, the ally, that is taking the lead. It is Yertjuk who has the goals. Yertjuk wants to live rather than go through with the death penalty placed on him. It is Yertjuk who has the plan to kill William. Where that plan will take him is anybody’s guess. But it is Yertjuk who is driving things forward now. It’s Ginger’s story that we’ve been following, Yertjuk is a newcomer and, right now, an interloper. Having a guide is fine. Having Yertjuk guide him through this maze of a mothership is fine if it’s Ginger’s mission. But Ginger isn’t in charge. Why isn’t it Ginger that made the decision to kill William? This is not Ginger’s story right now, and he is very much in the passenger seat, playing his Gameboy, really not paying much attention to what’s going on around him. 

The Final Conflict is, according to John Truby, a battle of values. Explosions are fun, but are meaningless as it's values that matter. There will be a choice of how life is lived after the battle - the way that the protagonist wants, and the way the antagonist wants. The better way of living is what everything has been about. The opponent with the stronger values is the one who wins and gets to determine the new reality. 

The problem is, as previously discussed, Ginger has no values. This is evident in the fact that he is clueless, lost, and just following someone else whose primary value is that his own life is worth more alive than dead. No values equals no motivation, no desire. How does Ginger want to live after this? Is just being alive enough of a value? But being alive is Yertjuk’s value. Ginger needs to choose something else. He’s our main character - you’d think that he’d be front of the queue in the ‘Supermarket of Values’. Fuck these passive characters!

[MUSIC]

Sorry, Ginger!

William, at this stage, is not that much different to Ginger. William at least has plans, but he has been betrayed, and is put in a position where everything he has been building towards has collapsed. One chapter left to go, how can William find the time to rebuild from here? He is still stuck in the Dark Night of the Soul. Rather than gain any revelations, just more and more bad news is being poured on top of him. 

William has values. He’s been conflicted, but there’s always been a morality that’s been clear to us through his many debates with himself. Everything we have ever known about William is life after the invasion. Or is it? He’s always looked backwards. His few forays into looking forward show disaster for him as well as the humans. However, as he really begins to understand his true values, he comes to the understanding that someone else’s values are much stronger than his - leading to the devastation on Earth. William’s values have been tested and strongly defeated, and his fight or flight response is now to flee. 

Both of our main characters are in the same position right now. It’s all about survival now, because fuck themes, right? Their worlds have been turned upside down again. Unlike with the World-Turning-Upside Down events that push the characters into the second act, this time they don’t know how to adapt. They have just stopped. Without any values that have substance, values that will support them in the final confrontation, what weapons of morality do they have left? Is it fair to say that their stories have ended? If every story is like a roller coaster of a journey, as in that old cliche, does this mean that the train has stalled mid loop? Did the train ever get to the loop? Or is it just at that first downward incline, never to stop hurtling down? 

Where and how can they grow? How can they change? The ultimate question now is: What will life for everybody be like after the coming confrontation? 

So, for any hope, we need to establish what it is that Ginger needs. That will hopefully get us to understand what he imagines life is going to be like after this conflict.

What better way to do that than to ask him directly. 

Ginger, can we talk?

GINGER:

Fuck off. 

HOST:

Ginger, please. 

GINGER:

Fuck. Off. 

HOST:

You’re pissed off at me for calling you a weak character. 

[MUSIC]

HOST:

Let’s rebuild you, Ginger. Let’s get you your agency back. Instead of a weak character, let’s have a new, strong Ginger. But first, I need to know some things. What do you want, Ginger? 

GINGER:

I want to go back to a time before all this. Before the Blue Walls. 

No. Before the fighting. Before the… I don’t even know. 

HOST:

I can’t do that for you, I’m sorry. You’re here now, so let’s just focus on that for a while. What do you think that being here can help you achieve? 

GINGER:

Being sent back will help me achieve more than being here. 

HOST:

If I send you back now… well, you're not in a good state in the story. Your body is very injured. Is that what you really want?

GINGER:

Then why? Why did you do that to me? 

HOST:

I mean… there has to be jeopardy. Risk and sacrifice shows how much you want something. 

GINGER:

I wanted to be so lost on a spaceship that I allowed my body to be hurt so seriously? 

HOST:

Well...

What do you think you would do if you were the Ginger on the spaceship? 

GINGER:

How do I begin to answer that? I know nothing of this ship

HOST:

Well, I mean, would you try to talk to William? Would you try to kill him? 

GINGER:

And then what? In either situation?

I talk to him. You want me to talk, you establish some way for me to talk to Earth. 

I know of no technology, unless the aliens do. 

Even then, what do I say? I can’t talk for an entire world. What do I have to offer? What promises can I make? The promise that our leaders will listen to him? The leaders won’t even listen to me.

I’m just fodder for the cannons. I die, there’s someone else to replace me on the battlefield. 

I die on the ship. Nobody knows. 

The only thing I can ask is for safe passage home. 

I kill him, where am I left? I’d be dead immediately. 

HOST:

Isn’t there anything that you want to accomplish? 

[MUSIC]

HOST:

Then… Where do you see yourself after this? Staying on the ship? Being at home? Which of these two worlds do you choose? 

GINGER:

Being at home. 

But, what do I do when stranded alone on a huge fucking alien ship that I don’t know, with no idea of what I should be doing? Everybody just expects me to magic my way out of everything. If I could do that, I wouldn’t be here. 

Agency, remember? No fucking agency. And nowhere to go.

What would you ask the prisoner, shackled in his cell, about how to save the damsel tied to the train tracks… on the moon! Do you ask him if he wants to stay on the moon watching the damsel die? Do you ask him if he wants to stay in his cell, knowing of the damsel’s death? 

I want to be at home where there never was a damsel in distress and a comfortable chair instead of chains. Whatever ‘home’ is.

HOST:

You’re…. you‘re right. Wrong track. 

Oh, umm… sorry for the… er… pun, erm...

Let’s… Just think. 

[PAUSE]

If we know more about you, then we have more to build from. Childhood… Parents…

What were your parents like? 

GINGER:

I…

[MUSIC]

HOST:

It all starts with mummy and daddy. Issues that is. Is there anything you can tell me about them? What did they look like? 

[MUSIC]

HOST:

I’ve been using past tense. They must still be alive for you. 

[MUSIC]

HOST:

Ginger, all I can hear is music. Is that because you can’t remember? Or are you just not communicating? 

[MUSIC]

HOST:

Fine. Then how about your childhood? What were you like as a youngster? 

[MUSIC]

HOST:

Friends?

[MUSIC]

HOST:

Come on!!

No, I shouldn’t be frustrated. This isn’t your fault. This is mine. I never put the work in. 

Let’s go with something more concrete, shall we?

[GETS INSPIRATION]

How about your home? Your childhood home? That appeared in a couple of recent chapters. Describe it. 

GINGER:

It… has white walls on the outside. To approach, you need to walk up a driveway that’s at the top of a lawn. Inside, it always seems big until I actually go in, then it’s small. As you go in, there’s the living room on the right, a study and bathroom on the left. Separating these rooms from the dining room and kitchen is a staircase. Upstairs are two bedrooms. My bedroom is adjacent to the dining room. The back garden is as wide as the house, but quite long. It’s a great place for hiding. 

HOST:

That’s excellent. We’re getting somewhere. You can imagine yourself back there as a start, right?

So, let’s move on. Let’s go with something else you know well. 

Dee Dee. How did you first meet her? 

[MUSIC]

HOST:

Do you… do you love her? 

[MUSIC]

HOST:

Why do you want to return to her? 

[MUSIC]

HOST:

Sorry… maybe too personal. 

GINGER:

She…. There… 

To stop her dying. 

HOST:

That...oh. 

Right. Umm…

You worked that one out, did you? 

Fuck! 

GINGER:

Was she always dead? 

HOST:

I don’t know. I don’t know if you were literally carrying a corpse around, or if it was a vision, a foreshadowing of the death that was to come when the Trascons destroyed large parts of the Earth. Death as a symbol has many interpretations. I guess I was just keeping it vague for myself. 

I think that I’m the weak character, not you, Ginger. All this “Keeping it open to interpretation” stuff… Really shot myself in the foot, didn’t I? 

That was the rot. It was always the rot. I wanted it both ways. I wanted a surreal story, and I wanted a structured story. We get here towards the end and… Well, for this story at least, I managed to get away with it for two acts, before this third act really highlighted everything. Is that the way that it always is? Are all surreal stories doomed to be like this?
Or is this just what happened with my story? It’s difficult to know without many case studies. 

Well, no. We have Cocteau's La Belle et la Bete. That‘s based around a classic fairy tale. I mean, fine, older narratives are not representative of the narratives that we have got used to in today’s contemporary storytelling world where publishers and producers and execs expect the basic rules in place that we have formalized over the last few decades. 

However, in Belle et la Bete, the world literally changes. The moral world of good people not being imprisoned, or trapped in a beast’s body, is restored, whereas those whose values are dodgy get punished.

I never watched enough Luis Bunuel. I watched some of the classics, Belle De Jour, Tristana, Viridiana. But with those, I was always angry that they weren’t as anti-narrative as the early films, Un Chien Andalou and L’Age Dor.

Belle de Jour has an ambiguous ending. But that implies that Severine, the main character, has wants and needs. She does move through and completes the final confrontation. It’s only the resolution that’s questioned. That being: Which of the two new worlds presented to her does she end up living in? 

Tristana - She also moves through to the final conflict. By becoming dominant, she has the power to affect the immediate world around her. 

Viridiana - She’s a changed woman - for better or for worse. But she has gone through a complete transformation, with her life fully in her control. She gets to choose which world she enters into. 

So, it is possible to have a surreal or surrealist story with a complete narrative. Surrealism is all about the untamed, feral desire. I forgot about the desire. That is what all this is about, isn’t it? 

Oh, Ginger. I’m sorry. I’m sending you off into the final chapter, and you aren’t prepared. You’re not ready at all. There’s more story that you need to experience first, but you can’t. 

I don’t have the skills to help you. I don’t… I can’t…

I can’t see a way to finish this story in a way that makes sense. Not in the time left, at any rate. Maybe that’s the Original Daniel’s Nemesis' skill… But this is where he left you. 

I can’t rely on him to help you. Not at all. I can’t do it!
And as for you, who is listening. This is hardly the way to build into a series finale, is it? What other story do you know of where the true stakes are whether or not the story itself can stumble over the finish line? 

So, 

What do we have to look forward to next time? 

Who the fuck knows any more? The end…

Until next time, TTFN!


And just in case you were wondering, all text was written by me, Daniel’s Nemesis,

and XBook is purely a work of fiction and is not meant to be based on anyone or any events at all. 

The music was also by me, Daniel’s Nemesis, as was the image 

that accompanies this podcast. 

It sucks, doesn’t it? 

But there we go.  

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XBook Chapter 27

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XBook Chapter 30 + Epilogue